Near and Far
Track Work: Deleted Scenes, ‘House of Dust’
Another great track from Deleted Scenes’ forthcoming LP, “Lithium Burn,” has made its way online. The album’s eighth track, “House…
Diane Cluck Live At The Wilderness Bureau
I first encountered Diane Cluck through a copy of her 2001 album, Macy’s Day Bird. Immediately falling in love with…
Citing Israel Policy, D.C. Jewish Community Center Pulls The Plug On The Shondes
Home of the forward-thinking Theater J, Washington Jewish Film Festival, and Jewish Literary Festival, the Washington D.C. Jewish Community Center usually has…
What Does This Thievery Corporation Review Mean?
April Fools’ Day joke? Elaborate pan? It’s unclear, at least to me. The review by Spin contributor Garrett Kamps, dated…
Of Note: Stranger In The Alps, Cavale, And More D.C. Shows To Hit
Every Thursday, Bandwidth contributors tell you what local shows are worth your time over the next week. Stranger in the…
Track Work: Furniteur, ‘Modern Love’
D.C. native Brittany Sims has spent years studying and practicing fine arts, specifically painting. Now, she’s flexing another creative muscle…
Where Love Lives: Frankie Knuckles And The Dance Floor
The pioneering house DJ Frankie Knuckles, who died Monday at 59, made deep, complex music that packed dance floors for nearly four decades.
GoldLink: ‘People Are Dancing To My Pain, And They Don’t Even Know It’
Virginia rapper GoldLink doesn’t consider himself a straightforward rapper—he calls his music “future bounce,” a term he credits to producer Lakim—and…
Select DC Books Electronic Music For Punks
On a recent Friday night, a familiar tradition was unfolding in Petworth: A cluster of 20-somethings stood around the living…
Track Work: Protect-U, ‘Time 2 Technique’
“Slicin’ the brain in tha mornin’.” “POTS + PANS THROWN AROUND THE KITCHEN TECHNO.” These are the phrases D.C. electronic…
First Listen: Todd Terje, ‘It’s Album Time’
The Norwegian DJ and songwriter, known for his singles, crafts a cohesive album that builds to near-perfection. Even the pessimists can find escape in his nostalgic, hopeful music.
First Listen: Ratking, ‘So It Goes’
The trio’s debut album may be the most “New York” hip-hop project released in years.
First Listen: Teebs, ‘E S T A R A’
The electronic artist seems to yearn for New Age music, or at least remnants of it, on his new album. In the process, he steers toward luxurious sadness and wistful contemplation.
First Listen: Protomartyr, ‘Under Color Of Official Right’
You won’t find silver linings on the Detroit post-punk band’s new album — only overcast ennui. Poignancy and shame rule the day, and it’s a brilliant thing to behold.
First Listen: EMA, ‘The Future’s Void’
The singer’s new album navigates an imagined future world of sad clones and shattered identities. It creates a sonic alternate universe through which many elements float.
From Love To Murder To UFOs, A Dark ‘Serenade’ To Kansas
Nashville-based songwriter Chuck Mead has stories for days about the home state he left behind. “Kansas can be scary sometimes,” he says.
It’s Good To Gather Moss: A Young Artist On Missing ‘Home’
Singer-songwriter Dan Croll talks about “Home,” a track off his debut album, Sweet Disarray, as well as the real-life home that helped inspire it.
Of Note: What D.C.-Area Shows To Hit This Week
Each Thursday, Bandwidth contributors tell you what local shows are worth your time over the next week. Buildings, Other Colors,…
The Kronos Quartet: Still Daring After All These Years
Four decades after its first performance, the San Francisco-based string quartet still nudges composers and audiences in new directions.
Track Work: Priests, ‘Right Wing’
When D.C. band Priests came along a few years ago, it seemed pretty traditional—a back-to-basics, question-everything punk band not too…