Near and Far
Review: Elliott Smith, ‘Heaven Adores You’
The soundtrack to a new documentary inventories the periphery of the late singer’s catalog: unheard early recordings, instrumentals, collaborations, live appearances and other illuminating footnotes.
Review: Dr. Dog, ‘The Psychedelic Swamp’
The Philly psych-rock band revisits some of its earliest material, now fully fleshed out. Loopy, charming idiosyncrasy abounds.
Review: Lucinda Williams, ‘The Ghosts Of Highway 20’
The singer-songwriter’s new double-length set is a road album of a sort, as well as a remarkable distillation of Williams’ writerly gifts.
Review: Sidestepper, ‘Supernatural Love’
Richard Blair reassembles his innovative Afro-Colombian pop band, and the result never looks back. Instead, it shimmers and percolates while ignoring boundaries altogether.
Review: Junior Boys, ‘Big Black Coat’
The long-running duo returns with another set of inventive, era-spanning, synth-driven techno-pop that sets Jeremy Greenspan’s alternately husky and delicate voice against synthetic backgrounds.
Review: KING, ‘We Are KING’
The R&B trio, whose 2011 debut EP broke the Internet, finally follows it with an album of dreamy, idiosyncratic, self-produced soul music.
Old Videos Of Fugazi, Gwar, And Psychedelic Furs Now Housed At D.C. Public Library
It was the final show at the 9:30 Club on F Street NW, and Teri Stubs hadn’t worn the right attire….
Weezer’s ‘My Name Is Jonas,’ Remade For Winter Storm Jonas
When he’s composing songs for his electronic pop project, Aerialist, Virginia musician Lary Hoffman looks toward the sky. The songs on…
24 Women Rappers Use A Hip-Hop Classic To Tackle Violence And Sexism
In 1989, an esteemed group of East Coast rappers united behind the mic to record a funky PSA: “Self Destruction,” a plea…
Wolf Alice: Tiny Desk Concert
Wolf Alice’s music can be noisy and primal, but at the Tiny Desk it showed a different side, as it performed three songs from 2015’s My Love Is Cool.
KCRW Presents: Brazilian Girls
Watch the worldly, danceable band perform a new song, “The Critic,” from its first album since 2008.
First Listen: Aubrie Sellers, ‘New City Blues’
On Sellers’ debut album, the “garage country” artist’s songwriting makes her accounts of losing control feel like deliberate, calibrated catharsis.
Review: Walter Martin, ‘Arts & Leisure’
The former Walkmen multi-instrumentalist has made a solo album marked by its playful, loosely ambling, front-porch friendliness.
Review: Benji Hughes, ‘Songs In The Key Of Animals’
A master of commercial jingles, Hughes knows how to stuff his impeccably crafted AM pop songs with humor and heart, pain and delight.
Review: Saul Williams, ‘MartyrLoserKing’
The singer/poet/actor/activist’s newest opus is another slice of genre-agnostic, cultural agitprop inspired by a fictional miner-turned-hacker in the African nation of Burundi.
River Whyless: Tiny Desk Concert
The North Carolina band uses a typewriter for rhythm, a toy piano for whimsy and a harmonium for mood, as well as a gong, multiple odd percussive accents and subtle guitar effects.
Janel Leppin Prepares To Launch A Mystical Record Label
As a cellist, vocalist, composer and music teacher, Janel Leppin always seems to be working on a new creative endeavor. Now…
Backyard Band’s Adele Cover Is Putting Go-Go Back In The Spotlight
Go-go hasn’t seen much national attention since the days of E.U.’s “Da Butt,” but D.C.’s Backyard Band is changing that…
Joe’s Record Paradise Has Found A New Location
Joe’s Record Paradise may be the most nomadic record store in the D.C. region. Last summer, owner Johnson Lee told…
Benny Sings: Tiny Desk Concert
The Dutch singer layers R&B, jazz and pop over hip-hop beats in his first-ever U.S. appearance.