J Dilla’s Gear Is Headed To The Smithsonian
Gear belonging to the late hip-hop producer James “J Dilla” Yancey is headed to the Smithsonian. A synthesizer and drum…
Gear belonging to the late hip-hop producer James “J Dilla” Yancey is headed to the Smithsonian. A synthesizer and drum…
The Voyager‘s clever (but never too-clever) sound builds an open structure within which Lewis can explore her current fascination: the weight of full adulthood, and its paradoxical precariousness.
Lese Majesty is MC and producer Ishmael Butler’s most relentlessly noncommercial chapter yet. No hits, no singles; just raw, graceful tunes from the inventive former leader of Digable Planets.
In his new band, venerable U.K. DJ Harvey Bassett indulges a love of psychedelic garage rock. Throughout Wildest Dreams, he displays an impeccable sense of when to rev up and when to lay off the gas.
Quetzal has spent two decades playing the soundtrack of its East L.A. neighborhoods: an evolving mash-up of Mexican son jarocho, low-rider oldies, cumbia, boleros, rock and blues.
The Brooklyn band writes inventive epics that behave like highly concentrated energy shots. You have to pay attention, because key elements arrive and depart in a blink.
Olivia Neutron-John specializes in emotionally dense, unfiltered electronic music delivered live with throbbing intensity—and it’s safe to say there’s nothing…
Bandwidth has done extensive coverage of the house-show scene in D.C., and today this story—about the broadening and unique appeal…
Rappers might be the face of D.C.’s growing hip-hop scene, but the producers are its pulse. In this multipart series…
For 10-plus years, Guy Blakeslee has been leading various incarnations of The Entrance Band (and before that, a solo project…
Local venues and bands have now hosted numerous benefits for the forthcoming In It Together Fest, and Saturday night brought…
Sound Advice is Bandwidth’s weekly playlist of artists we think you should catch in D.C. this week. Both nouveau and…
Millennial social anxiety pairs with breezy, effortlessly cool surf-rock on Alvvays, and the combination is irresistible. The Toronto band’s beach-pop seems to come straight from the California shore.
The SoCal punk band’s Smiths obsession makes for a confident, focused, 19-minute record that still gleefully indulges in pick scrapes and fast three-chord songs.
Performing as White Fence, Tim Presley steers toward the gentle pomp of late-’60s psychedelic pop, rock and folk. Along the way, he writes to the canon from which he performs and bends it to his will.
In Los Angeles on Saturday, the Decoders, along with a 20-piece band and a dozen vocalists, will perform a tribute concert to late soul singer.
Today brings the start of this year’s Capital Fringe, the beloved annual blowout of thoroughly experimental, often untested and occasionally…
Michael Andrade is so dedicated to documenting D.C.’s hardcore scene, he gave himself nerve damage doing it. “When I first…
Late Tuesday night, organizers of this summer’s ambitious In It Together Fest huddled at DIY space Hole In The Sky…
Big news from the Ex Hex camp today: The D.C. rock trio dropped a new song and announced a release…