On The First Album From D.C.’s Feedel Band, The Future Of Ethio-Jazz Is Now
Ethio-jazz combo the The Feedel Band is best known for evoking the funky, minor-chord, ’70s-era East African music collected on…
Ethio-jazz combo the The Feedel Band is best known for evoking the funky, minor-chord, ’70s-era East African music collected on…
A posthumous album from the great behind-the-scenes man sets a retrospective, autumnal focus on songs which gave rise to Toussaint and his city — and thus to a bigger American music canon.
On U Street in 2016, it’s easy to stumble across vestiges of the corridor’s African-American history. But that history is…
The popular jazz singer follows a familiar pattern on his new album: It’s acoustic, unconcerned with fashion or complexity, and both overpowering and soothing. That’s a good thing.
Four members of D.C.’s The Harry Bells — saxophonists Matt Rippetoe and Jonathan Parker, trumpeter Joe Herrera and trombonist Ben…
This weekend brings the final performances at legendary D.C. jazz venue Bohemian Caverns. An institution at 11th and U streets…
Go-go clanging around the walls of D.C.’s historic Howard Theatre. Soul music and jazz, rising from this town’s hardest-knock neighborhoods….
Salvant explores the quaint art of jazz singing, but with her own aesthetic idiosyncrasies intact. Her toolbox contains anywhere from a rich, husky voice to one that tiptoes theatrically, girlishly.
The Afro Latin Jazz Orchestra’s perfectly timed collaboration between U.S. and Cuban musicians features cutting-edge works by a carefully selected group of composers.
The New Orleans trumpeter wasn’t thinking about Eric Garner, Michael Brown or #blacklivesmatter when he first assembled this funky new band. But then it became a way to ward off despair.
Two popular summer concert series kick off this week in D.C., with Carter Barron Amphitheatre and Fort Dupont Park hosting their first…
The saxophonist brings his signature sizzle and groove to Morning Becomes Eclectic.
The American jazz saxophonist and composer who liberated jazz from conventional harmony, tonality, structure and expectation, died Thursday of cardiac arrest in Manhattan at age 85.
Update, May 22: The show is now streaming on metroconnection.org. Friday and Saturday, Bandwidth is pairing up with WAMU’s weekly…
Last year could have been Filmfest DC’s final act. A projected $250,000 deficit threatened to sink the annual film festival after 2014,…
No one could call the D.C. region’s music scene a monoculture — it’s been home to legends across dozens of…
The deep-voiced thrum you hear at the top of this tune isn’t bass, but cello. To be precise, it’s the…
Chris McClenney tried out his first instrument around 8 years old, but he didn’t get hooked on music-making till a…
A jazz jam session is not what you probably think it is. For rock fans, “jam” generally has two meanings,…
Trumpeter Wallace Roney played Davis’ understudy for many years. So it was fitting when he resurrected a long-lost orchestral composition that Wayne Shorter wrote for his mentor.