First Listen: Alpine, ‘Yuck’
On the Australian band’s charming second album, a sweetly blithe sound can’t quite mask the doubt and hesitation at the heart of the songs.
On the Australian band’s charming second album, a sweetly blithe sound can’t quite mask the doubt and hesitation at the heart of the songs.
When the great guitarist takes a solo, it’s a swerving, cathartic, edge-of-the-seat experience. When he doesn’t, the bliss persists, but in highly concentrated doses.
The Canadian pop band’s second album is an impeccable distillation of pop music in 2015: big and bright and cheerful, and expanded rather than confined by everything that came before it.
Now 17 years and seven albums into its existence, Luminiferous reaffirms High On Fire’s consistent mastery of heavy metal.
The roots-rock band’s fifth album doesn’t deviate wildly from Heartless Bastards’ wheelhouse, but it does give Erika Wennerstrom and company more room to roam.
There is a wealth of music, along with music-related artifacts and conversation, on the Internet, but the companies that control these vast resources don’t always prioritize permanence.
We went to Atlanta to talk to the three-man production team behind some of the greatest songs ever: Ray Murray, Rico Wade and Sleepy Brown.
In a video set to a country-tinged melody with flourishes of lap steel and ambient underbrush, Tyler scrambles eggs, gets his nails done and hits up his favorite dive in Nashville.
See a singer with a powerful voice and extremely encouraging message — words to be not just sung but shouted from the rooftops.
We asked everyone we could think of, from fans to musicians to label owners what the ideal streaming service should look like. Turns out the new world, even in our fantasies, is a work in progress.
Over the next week, in a series called Streaming At The Tipping Point, we’ll look at how streaming music services are reshaping the way we find, hear and experience music.
Singer-songwriters Sam Doores and Riley Downing teamed up for a country album inspired by both Woody Guthrie and the Big Easy’s live music scene.
U.K. dance-rockers Franz Ferdinand team up with power-pop brainiacs Sparks for an album more than 10 years in the making.
The former English teacher may never have become a singer-songwriter if her identity hadn’t been taken. “I was just ready for a brand new start,” she says. And soon she was on the road to Nashville.
For this week’s Throw Back Thursday we go back to the summer of 2009 and a stirring set of songs by The Tallest Man on Earth.
The lead singer of the mercurial rock (and funk and rap and whatever else will fit) band talks about the long path to Sol Invictus, the first Faith No More album in 18 years.
More than three decades after Pancho & Lefty, the country titans pair up again, this time for an album that puts eclecticism front and center.
The gospel-punk band’s self-titled debut couches its invective in feedback, guitar noise, bruising drum machines and Franklin James Fisher’s guttural howls.
On its fourth album, Dawes calls from deep inside the feedback loop of love’s aftermath. Throughout All Your Favorite Bands, singer Taylor Goldsmith takes full advantage of the dramatic possibilities.
The Irish singer recorded her debut at 18, so it makes sense that it would chronicle youthful uncertainty. Throughout the album, her songs command attention by burrowing deep under the skin.