To commemorate Bandwidth’s not-quite-first year, I’ve skimmed through our YouTube channel and picked out some of my favorite videos from the 75 we published in 2014. Some were shot by Bandwidth video director and co-founder Raul Zahir De Leon in his own Wilderness Bureau studio; others we shot at WAMU headquarters in the room normally used by WAMU’s Bluegrass Country. Some earned hundreds of likes and one highly unexpected shout-out from Paul Krugman; others are still hidden gems. But across the board, I think we succeeded in capturing superlative performances from a remarkable set of independent artists — and we’re only getting started.

Here’s a look at the best stuff we caught on camera this year. Want more? Check out our playlist of all our videos so far.

Most-watched
Sylvan Esso, “Coffee”

Something about electronic-pop duo Sylvan Esso makes people swoony and crazy, and this video — our most popular to date — is solid proof.

Most unfairly ignored
Los Master Plus, “Suave Leve”

Not many people have watched our two videos with Mexico’s hammy, machismo-skewering Los Master Plus, and I haven’t been able to shake the feeling that a great injustice has been done. The duo’s over-the-top performance of “Suave Leve” was the most fun we’ve had yet in the WAMU studio. If you love fun, you know what to do, folks.

Most adorable
Frankie Cosmos, “Birthday Song”

The indie-pop songwriter otherwise known as Greta Kline (daughter of actor Kevin Kline) sparkled this year, propelled by her tuneful collection of simple little songs, Zentropy. Kline doesn’t seem to care about guitar wizardry, big statements or tracks much longer than two minutes. But she’s got a fantastic ear for melodies — the kind you can’t easily dislodge from your head. For her session at the Wilderness Bureau, Raul and his crew went all out: They threw her a birthday party with the sparkle (and cuteness) that made Zentropy such a special release this year.

Best ending
Phox, “Kingfisher”

This performance from rising pop band Phox is one of my favorites for the lovely song alone — Monica Martin’s voice! — and one passerby on the street felt it deserved a round of applause, too.

Best D.C. band performance
Ex Hex, “Everywhere”

Loudest. Session. Ever. D.C.’s own Ex Hex nearly shattered the window in our studio with this monstrous performance of a standout from their debut album, Rips.

Most British
The Clientele, “Porcelain”

The Clientele wasn’t the only British act we filmed this year, but the indie-pop greats encapsulate a sound that I can only associate with rainy England. The band’s live take on “Porcelain” — a highlight from their 2003 record The Violet Hour — was also one of our most pristine and beautifully recorded. Worth many repeat listens.

Best wardrobe
Sierra Leone’s Refugee All-Stars, “Ghana Baby”

This low-key backyard performance from one of the world’s most acclaimed Sierra Leonean ensembles is wonderful in many ways — its intimacy and sense of humor, the group’s unquestionable mastery of its sound — but I still find myself revisiting this video just to giggle at bandleader Ruben Koroma’s T-shirt: It’s golf-themed, and it says “Teerific Grandpa.”

Most likely to make you cry
Rodrigo Amarante, “The Ribbon”

I was unaware of Brazilian songwriter Rodrigo Amarante until this year, and that’s my bad. At least I had the brains to help bring him into Raul’s studio, where he delivered the most soulful performance captured there this year — and made it look so effortless.

Best use of harp
Mikaela Davis, “Feels Like Forever”

Try not to be enchanted by this.

Best arm movements
My Brightest Diamond, “Lover Killer”

My Brightest Diamond’s Shara Worden was already well on her way to blowing our minds with her intense performance at the Bureau — and then she busted out these striking arm movements, ratcheting the whole thing up a notch. She’s incredible.

Most celebrity-studded
Deer Tick and Vanessa Carlton, “In Our Time”

I’m happy I was (somehow) unaware that this was the same Vanessa Carlton that recorded THAT SONG until after we finished this great session with her husband’s band, Deer Tick. It means I was able to converse with her like a normal human — and without once thinking of Terry Crews in that scene from White Chicks.

Best harmonizing
Mark Mulcahy, “Badly Madly”

I love the studio-recorded version of this earworm from Mark Mulcahy, but seeing his bandmates gamely belt it out alongside him on the couch reminds me why we got into this whole video business in the first place.

The Bandwidth videos never stop on our YouTube channel. Subscribe here.

The Mexico-based duo—famous for their send-ups of pop songs—maintains a collection of silky, ostentatious banda attire, frequently fringed or adorned with animal print. The shirts they chose to wear for our studio session had become wrinkled in transit.

But after a quick steam in the official WAMU showers, the shirts were ready for showtime, and Los Master Plus’ Larry Mon and El Comanche—despite being a little worn out from a fun night in Richmond—ripped into two hilarious and expertly performed tracks, “Suave Leve” and the Dr. Dre/Snoop Dogg-influenced “El Gran Vacilón.”

Los Master Plus’ performance in WAMU’s Bluegrass Studio rivals the hilarity of the duo’s satirical, hormone-saturated YouTube videos (most recently “Fiestiña”), famous among their many starry-eyed fans in Mexico. Yet throughout, Larry Mon and El Comanche never crack a smile. It’s no small feat.

Not surprisingly, Los Master Plus’ stellar showing also made for great GIF material.

Homepage photo by Rhiannon Newman

I Dream Of Wires
Thursday, May 15 at Goethe-Institut, $8 to $12

This isn’t actually a concert, but tonight’s showing of the documentary I Dream Of Wires (7 p.m.) is a must-do for followers of electronic music—or really any music that’s been shaped by synthesized sounds. Showing as part of the ongoing Forward Festival, I Dream Of Wires examines the development and influence of the modular synthesizer, one of last century’s most important and lasting musical innovations. Trent Reznor, Morton Subotnick, Gary Numan, and Carl Craig are just a few of the film’s key talking heads. After the doc, stop by Flash to check out an extended techno set from Daniel Bell, who’s also performing as part of Forward. The fest goes through the weekend. Check out its complete schedule at forwarddc.com. (Ally Schweitzer)

Panda Bear, Regal Degal, Geologist
Friday, May 16 at 9:30 Club, $25

Panda Bear (aka Noah Lennox) is the most prolific solo member of Animal Collective, having released four solo albums since the late 1990s. Truthfully, his career might have peaked in 2007 with the release of Person Pitch, which landed on several Top 10 lists thanks to the catchy haze of its single “Bros.” Still, Lennox promises a new solo album this year, with the ominous title Panda Bear Meets the Grim Reaper. The Los Angeles psych-rock band Regal Degal opens this show, and fellow Animal Collective member Geologist is on tap to DJ. (Catherine P. Lewis)

Los Master Plus, G-Flux, The Empresarios
Friday, May 16 at Artisphere, $12

Called the “new kings of cumbiatronica,” Mexico’s Los Master Plus may be better known for their silly YouTube videos. It’s hard to tell where the charismatic, funny duo draws the line between sincerity and absurdity, but somewhere in their comic routine, there’s a jab at machismo and the masculine ideal. When they come to town this weekend, their show at Artisphere will feature D.C.’s Empresarios and local space-cumbia producer G-Flux. (AS)

Titus Andronicus, Baked
Friday, May 16 at Black Cat, $15

Titus Andronicus is a New Jersey indie-rock band that puts on an intense live show—and if you don’t believe my word on that, then check out this report, published last year, of every single D.C. show the band has played since 2008. When Titus Andronicus plays live, expect the whole crowd to be jumping so vigorously that the entire building will either levitate or implode into itself, creating a Titus Andronicus-shaped black hole. Opening the show is Brooklyn rock band Baked. (CPL)

Franz Nicolay, Louis Weeks, Sean Barna, The Room Outside
Friday, May 16 at The Alamo, by donation

This show is a rare opportunity to see Franz Nicolay in a DIY space; his last few times through town, he’s played more-traditional spots like Black Cat and Galaxy Hut. The punk-rock musician is known for his time in The World/Inferno Friendship Society and The Hold Steady, but he also has a lengthy discography under his own name and with the composer/performer collective he founded called Anti-Social Music. Rounding out this show are D.C. songwriters Louis Weeks and Sean Barna, plus the New Mexico alterna-folk trio The Room Outside. (CPL)

Chain and the Gang, The Ar-Kaiks
Saturday, May 17 at DC9, $10

What’s left to say about D.C. songwriter, frontman, filmmaker, tongue-in-cheek intellectual, fashion plate, Instagram expert, and provocateur Ian Svenonius? The Washington Post recently deemed him the most interesting man in rock ‘n’ roll, and around these parts, he’s earned the title. His band Chain and the Gang—usually stacked with a rotating cast of promising young musicians—just released its fourth LP. The group’s Saturday show with Richmond’s The Ar-Kaiks promises to be part victory lap, part performance-art project, and part comic routine—just like always, and just how we like it. (AS)

Highasakite and Faces On Film
Sunday, May 18 at Black Cat Backstage, $12

Admittedly, most of the Norwegian acts I follow are metal bands, but Highasakite is a bright and bouncy exception. The indie-pop quintet gained a nod of approval from both tastemakers Pitchfork and Bon Iver at the 2012 Øya Festival, but the group’s newest album Silent Treatment shows that it’s not just a buzz band with no substance. There’s plenty of nuance in the band’s instrumental textures, but the real spotlight is on frontwoman Ingrid Helene Håvik, whose pronunciation adds to the band’s captivating feel—and who can somehow make the words “Darth Vader” sound both charming and seductive. Opening the show is Boston’s Faces On Film. (CPL)

Alice Despard Group: Farewell D.C. show with Marshall Keith and Sri Baba Marley Jones
Sunday, May 18 at Galaxy Hut, $5

Clarendon hasn’t always looked as trendy as it does now, but it’s (almost) always had the Galaxy Hut, the dive bar and local music venue that opened there in 1990. Singer-songwriter Alice Despard operated the space until 2005, when she sold it to longtime bartender (and half of the duo Aerialist) Lary Hoffman. Despard and her husband are now moving out of the area, so it’s fitting for her to say farewell to D.C. in the bar where she booked bands like Godspeed You! Black Emperor and Low for all those years. (CPL)

Solstafir and Junius
Monday, May 19 at Empire, $12 to $15

Quick, name a band from Iceland besides Sigur Ros and The Sugarcubes. Stumped? Check out Solstafir to broaden your Icelandic horizons: The Reykjavik-based folk/progressive metal band is in the U.S. for a brief tour leading up to next weekend’s Maryland Deathfest. They’ll be joined on tour by Boston post-rock band Junius, who doesn’t hide its love for the Cure. (CPL)

Unholy Grave, War Master, D.O.C., Bestial Evil
Wednesday, May 21 at Union Arts, $10

This show’s Facebook event page isn’t kidding with the advertisement: “fast bands, over quickly!” These grindcore bands will fly through their sets, so don’t show up on punk time or you just might miss longstanding Japanese grind band Unholy Grave, who formed in the early 1990s but hasn’t been to D.C. in almost a decade. (They’ve kept busy, though, if their lengthy list of split 7-inches is any indication). They’ll be performing with the Bolt Thrower-influenced Texas band War Master, D.C. grindcore band D.O.C., and new Baltimore death/thrash band Bestial Evil. (CPL)

Also recommended this week:

The Chuck Brown Band at Howard Theatre (Friday); DTMD and Redline Graffiti: Luce Unplugged at the American Art Museum (Friday); Melanie Fiona and Black Alley at Howard Theatre (Sunday); Deer Tick at Black Cat (Tuesday [sold out] and Wednesday).

These and other show listings can be found on ShowListDC.