Laura Marling – Bandwidth http://bandwidth.wamu.org WAMU 88.5's New Music Site Tue, 02 Oct 2018 15:23:36 +0000 en-US hourly 1 https://wordpress.org/?v=4.5.2 The Current Presents: Laura Marling http://bandwidth.wamu.org/the-current-presents-laura-marling/ http://bandwidth.wamu.org/the-current-presents-laura-marling/#respond Tue, 20 Oct 2015 10:36:00 +0000 http://bandwidth.wamu.org/?p=57470 Laura Marling‘s latest album, this year’s Short Movie, features a fuller, more plugged-in sound. But when she came to visit The Current’s studio, Marling returned to her roots and performed an acoustic set. Inspired by the time the English singer spent in Los Angeles during a songwriting hiatus, Short Movie encourages listeners to embrace spontaneity, as you can hear in this performance of “How Can I.”

SET LIST
  • “How Can I”
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Review: Laura Marling, ‘Short Movie’ http://bandwidth.wamu.org/review-laura-marling-short-movie/ http://bandwidth.wamu.org/review-laura-marling-short-movie/#respond Sun, 15 Mar 2015 23:03:00 +0000 http://bandwidth.wamu.org/?p=49212 It’s hard to believe Laura Marling is only 25 — not just because Short Movie is her fifth album, and not just because she’s been singing with wise, almost impatiently weary authority since she was 16. What’s especially striking is the way she’s allowed her recordings and persona to evolve through so many decisively rendered, fully formed phases. Marling found her voice unusually early in life, but she’s also never stopped refining it or discovering new ways to bare its teeth.

In 2013, that process resulted in Once I Was An Eagle, an ambitious 63-minute breakup album whose intricate acoustic arrangements sounded as stormy as the work of bands 20 times as loud. It was a virtually impossible act to follow, in terms of quality and scope — she reportedly scrapped one attempt prior to this one — and Marling ultimately tackles the job by initiating another left turn. Short Movie shakes up her rumbling acoustic arrangements with an influx of electric sounds, in the process giving her a greater arsenal with which to brood, search, seethe and menace.

Throughout these 13 songs, Marling metes out actual aggression only sparingly, even when her words are barbed and dipped in poison. But there’s no mistaking the intensity of songs like the unplugged “Strange,” in which she presents two sides of an adulterous relationship while conveying knowing mockery, indignant pride, a little sympathy and a lot of hard ache.

Elsewhere on Short Movie, Marling gives her songs more room to sprawl, with looseness that never devolves into slackness. The London-bred singer recently settled in L.A. after an eight-year bout of restless motion, during which she toured and recorded constantly, so Short Movie is the product of her first prolonged downtime since her mid-teens. But for Laura Marling, the act of slowing down simply opens up one more new path worth exploring. The music itself never rests.

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