Kohoutek – Bandwidth http://bandwidth.wamu.org WAMU 88.5's New Music Site Tue, 02 Oct 2018 15:23:36 +0000 en-US hourly 1 https://wordpress.org/?v=4.5.2 Friday: A ‘Rock ‘N’ Roll Blowout’ To Remember Chris Grier http://bandwidth.wamu.org/friday-a-rock-n-roll-blowout-to-remember-chris-grier/ http://bandwidth.wamu.org/friday-a-rock-n-roll-blowout-to-remember-chris-grier/#respond Mon, 25 Aug 2014 14:56:25 +0000 http://bandwidth.wamu.org/?p=38362 On July 10 in Brooklyn, noise-rock guitarist and writer Chris Grier died at home from a pulmonary embolism. Four-and-a-half hours south on I-95, his death reverberated here in D.C., where Grier had made a ruckus with various musicians for many years, often on the upstairs stage at Velvet Lounge. Now the U Street dive is getting ready to host its final Chris Grier performance, in a way, when his friends play a memorial at the venue Friday night.

Drummer Scott Verrastro—who used to book the venue—is helping organize the event on Friday. “As Chris would have preferred, we’re going to have a big ol’ rock ‘n’ roll blowout to commemorate his life,” Verrastro writes in an email.

chris-grierVerrastro and Grier played Velvet Lounge dozens of times starting in 2007, Verrastro writes. They teamed up in the ensembles Thee Ultimate Vag and Kohoutek. Grier also played for four years with the experimental collective To Live And Shave In L.A., often alongside Andrew W.K. and Thurston Moore.

W.K. wrote this heartfelt statement after Grier’s death:

When I first met Chris, it was on tour with To Live and Shave In LA. I was playing keyboard in the band and all I was told was that Chris was a newspaper writer from Washington D.C. who would also be performing with us. I guess I was kind of wary and shy of him at first. I somehow thought I wouldn’t get along with him. Turned out he was one of the most sincere, earnest, and devoted musicians I would ever have the privilege of playing with. He was a deeply great guitar player—an extremely advanced and attuned musician. He was great in that unassuming way that reveals itself from the inside out—from the sound of his playing, from the way it felt to hear his sound.

In the best way, all Chris really cared about was music. Probably one of only a handful of people who really lived their life for music and was brave enough to pursue it. And he pulled it off! He was playing constantly. He made big moves and sacrificed a lot to play music as much as he possibly could, often against the odds, and often due to his sheer tenacity and undeniable ability. When people ask what it means to be a successful musician, Chris really defines it for me—to play as much music as you can and with everything you have.

Kohoutek, Max Ochs, Rat Bastard, Insect Factory and Layne Garrett are scheduled to perform at the event Friday. Verrastro says donations can be made to the Chris Grier Memorial Music Fund, which will help pay for music supplies and instruments for students in the Charles County public schools system. (“Stooges records accepted as well,” he adds.)

“If you knew Chris or were inspired by his art, please attend and share stories, laughs and memories,” Verrastro writes. “There are many.”

The Chris Grier Memorial concert takes place 8 p.m. Friday, Aug. 29 at Velvet Lounge. Admission $8. Donations to the memorial fund can be sent to Chris Grier Memorial Music Fund, Charles County Public Schools, P.O. Box 2770, La Plata, MD, 20646. 

Top photo via the memorial’s Facebook event page; lower photo by Ally Schweitzer

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Of Note: Nakatani Gong Orchestra, The Funk Parade, Jessy Lanza, And More D.C. Shows To Hit http://bandwidth.wamu.org/of-note-nakatani-gong-orchestra-the-funk-parade-jessy-lanza-and-more-d-c-shows-to-hit/ http://bandwidth.wamu.org/of-note-nakatani-gong-orchestra-the-funk-parade-jessy-lanza-and-more-d-c-shows-to-hit/#respond Thu, 01 May 2014 16:27:26 +0000 http://bandwidth.wamu.org/?p=31532 Every Thursday, Bandwidth contributors tell you what D.C. shows are worth your time over the next week.

Megafaun and Grandma Sparrow
Thursday, May 1 at DC9, $14

Before Justin Vernon recorded as Bon Iver, he was in a Wisconsin indie-rock band called DeYarmond Edison. Vernon’s three former DeYarmond Edison bandmates, now based in Durham, North Carolina, are the psychedelic rock band Megafaun. Merging vocals reminiscent of Fleet Foxes with off-kilter instrumentation and a lo-fi aesthetic, the trio might not be quite as famous as their former bandmate, but Megafaun’s folk/post-rock style is well worth hearing. Opening the show is the psychedelic Grandma Sparrow.

Nakatani Gong Orchestra
Friday, May 2 at tBack Alley Theater, $12

Friday, acoustic sound artist Tatsuya Nakatani leads a group of 11 local musicians in a large gong ensemble. These instruments, both bowed and struck with mallets, produce a sound both melodic and percussive; Nakatani’s last visit to D.C. saw him performing at the Kennedy Center, so the DIY feel of the Back Alley Theater will give this ensemble quite a different feel. Preceding the ensemble performance, Nakatani will perform a solo percussion set.

The Whigs and Nikki Lane
Friday, May 2 at Rock & Roll Hotel, $15

Athens-based garage rock band The Whigs blend their noisy riffs with some serious pop-influenced hooks—not surprising influences for a band that’s toured with acts ranging from Kings of Leon to Band of Skulls. The fuzz and distortion that permeates their music is perfect for a sweaty Friday night. Opener Nikki Lane has a distinct country point of view; her sassy twang is reminiscent of early Neko Case.

The Funk Parade
Saturday, May 3 on U Street NW; free

Coordinated by the folks behind Listen Local First, the inaugural Funk Parade is an all-day street festival with a participatory parade (from their web site: “Get up, get into it, get involved!”), dance performances and workshops. At night, the funk moves into many of U Street’s top music venues—DC9, Tropicalia,  U Street Music Hall, Patty Boom Boom, and Twins Jazz, among others—with free-admission performances by performers including Cheick Hamala Diabate, Elikeh, and Sugar Bear and EU.

Kohoutek, Taiwan Housing Project, Tulsa
Sunday, May 4 at Velvet Lounge, $8

Kohoutek used to be a D.C.-based band, and the group’s drummer, Scott Verrastro, regularly put on DIY shows at his home on Florida Avenue NW. Those days have passed now that Verrastro has moved to Philadelphia, so Kohoutek’s improvised psych-noise shows in the District are a much rarer occurrence than they used to be. Verrastro still knows how to put together a killer lineup, though: joining Kohoutek are Taiwan Housing Project (a collaboration between Kilynn Lunsford of Little Claw and Mark Feehan of Harry Pussy) and Tulsa, a band featuring members of the psych-shoegaze band Dark Sea Dream.

Jessy Lanza, Ricky Eat Acid
Monday, May 5 at Black Cat Backstage, $12

This week Stereogum declared that R&B-tinged electronic music—inescapable for the last three years—had reached its saturation point. I can’t disagree, but I’m not quite ready to take Jessy Lanza’s electronic-meets-R&B album “Pull My Hair Back” out of my headphones. The whispery Canadian vocalist and producer is too good at earworms. A live video she recently recorded for KCRW is entrancing, particularly her deft performance of “Keep Moving,” a highlight from “Pull My Hair Back” (and my running playlist). Monday night, she’s supported by College Park, Maryland’s own Ricky Eat Acid. (Ally Schweitzer)

Also recommended this week:
Heavy Metal Night at Port City Brewing and Foul Swoops, Flesh Panthers, and Neonates at The Dougout (tonight); Typefighter, Shark Week, Sunset Guns, and Teen Mom at Rock & Roll Hotel (Saturday); A Minor Forest and Two Inch Astronaut at DC9 (Sunday); The Dead Women and Nice Breeze at Galaxy Hut (Monday).

These and other show listings can be found on ShowListDC.

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