Jowe Head and The Fleeting Glimpses, Foul Swoops, Luke Reddick, and DJ Paul Krolian
Thursday, April 17 at CD Cellar, by donation

British musician Jowe Head is best known for his time in the Brit noise-pop band Swell Maps in the 1970s and then the indie-pop band Television Personalities in the 1980s. He’ll be opening for the legendary Loop in Baltimore Friday night, but we’re exceedingly lucky to have him play a special D.C.-area show on Thursday night with a backing band of D.C. musicians called The Fleeting Glimpses, featuring members of The Plums, Harness Flux, and America Hearts. Joining Jowe Head at this show are the energetic Foul Swoops and Luke Reddick from Dudes and Post-Nasal Drip.

Kill Lincoln, Boardroom Heroes, Still Alive, Collapser
Friday, April 18 at Rock & Roll Hotel, $12

Ska-punk band Kill Lincoln certainly keeps busy: the local septet plays regularly around town, and this show is the kickoff for a national tour. They promise to play a bunch of new songs at this show, where they’ll play alongside D.C. pop-punk band Boardroom Heroes, Chicago ska band Still Alive, and local punks Collapser.

Warning: This song includes explicit lyrics.

Black Panties, The Sniffs, Radiator Greys
Friday, April 18 at the Pinch, $7

It’s always fun to see a show at a dive bar with good food: wander upstairs between bands for the Pinch’s famous duck fries and a beer. Head downstairs to see St. Louis garage-punkers Black Panties, D.C. pop-punk band The Sniffs, and Radiator Greys, atmospheric noise from Select DC’s Josh Levi.

Warning: This song includes explicit lyrics.

Broccoli City Festival
Saturday, April 19 at St. Elizabeths Gateway Pavilion, $29 to $45

I’m not clear on why chicken and waffles and lobster rolls are being sold at a festival that’s supposed to be about healthy living, but setting that aside, the ostensibly eco-friendly fest Broccoli City is a fine place to catch big names in hip-hop (including Cam’ron, whose trip to D.C. will hopefully go better than his time here in 2005, when he was shot three times) alongside up-and-coming acts with local roots, like R&B artist Kelela and Virginia MC GoldLink. Go for the fresh rhymes, stay for the fresh juices. (Ally Schweitzer)

Cloud Cult
Saturday, April 19 at Sixth & I Historic Synagogue, $18 to $20

Experimental indie rockers Cloud Cult hail from Duluth, Minn. (fun fact: also the birthplace of Bob Dylan and the home of slo-core rockers Low). The eight-member band features string players, horn players, and a visual artist (!), and this “An Evening with…” show will feature two full sets of the band’s music, one acoustic and one electric—so expect a wide breadth of songs from the group’s two-decade career.

Andrew W.K., Adam Warrock, Rare Candy
Saturday, April 19 at Black Cat, $20

D.C.’s new comic-con Awesome Con is this weekend, but you don’t have to be into comics to enjoy this after-show, featuring performances by Andrew W.K., “overly enthusiastic hip-hop” artist Adam WarRock, and Baltimore’s synth-rock video-game tribute band Rare Candy. Note that AWK will also be giving a lecture at the Con, as well as signing autographs—hopefully slightly more engaging than his last area appearance, when he DJed rock songs before Black Sabbath’s show last summer.

The Pietasters, Caz and the Day Laborers
Saturday, April 19 at DC Brau, $12

Shows at bars can be great, but a show at a brewery means you’re getting beer right from the source. DC Brau celebrated its third anniversary this week, and the party continues with a performance by D.C. ska band The Pietasters and rocksteady group Caz and the Day Laborers. Last year, the Brau collaborated with Colorado’s Ska Brewing on a Pietasters beer called the Tasters Choice, a coffee doppelbock. DC Brau hasn’t said publicly whether they’ll be brewing more of the Tasters Choice, but we wouldn’t be surprised if they brought out a special batch of it for this show.

Pentagram, Satan’s Satyrs, Coke Bust, Unholy Thoughts
Saturday, April 19 at the Mary Graydon Center at American University, $20

Doom-metal legends Pentagram are playing their first show in the District proper since their infamous 2005 Black Cat show where vocalist Bobby Liebling overdosed backstage and collapsed during the band’s first song. Liebling has appeared to be a little more under control at recent shows (although he does wear some ridiculous shirts on stage). Also performing are the blues-rock inspired Satan’s Satyrs, hardcore punks Coke Bust, and Richmond’s hardcore Unholy Thoughts. Note that American University is a dry campus, so no drinking or smoking at this show.

Omar S, Chris Burns, R&B
Sunday, April 20 at Dirty Bar, $13 in advance

Detroit producer Omar S has made his FXHE imprint one of the best American dance labels out there, and he’s done that while remaining somewhat isolationist and stubbornly attached to doing things his way. If that state of mind is what keeps producing records as great as 2011’s “It Can Be Done But Only I Can Do It“—a killer, if occasionally X-rated encapsulation of his warehouse-ready sound—well, stay grumpy forever, Omar S. (Ally Schweitzer)

These and other show listings can be found on ShowListDC.

Shortly after 10 p.m., the next act started setting up. But it wasn’t a rock band, or anything as pedestrian as that—it was Olivia Neutron-John, a newcomer to the D.C. area who plays an intense and minimal strain of synthpop on a Casio. The rest of the performers occupied a similar vein: dark techno, much of it industrial-tinged. The headliner that night would be Secret Boyfriend, an experimentalist who toys with the boundaries between electronic and acoustic music, and who released a record that a reviewer for Resident Advisor called possibly “the most abstruse thing Blackest Ever Black has ever released.”

The lineup that night came courtesy of Select DC, a young duo bent on bringing more abstruse electronic music to the District.

Recent D.C. transplants Josh Levi, 27, and 24-year-old Jacob Knibb—who lives in the Petworth house—met on Facebook in January 2013 and bonded over their mutual desire to see more weird or overlooked synthesized music in the city. Levi booked bands back home in St. Louis, Mo., and Knibb had been into punk and noise while growing up in Chesapeake, Va. Two months after they met online, they booked their first show together. That event brought electronic music-makers Ital (D.C. expat Daniel Martin-McCormick) and Container (Providence’s Ren Schofield) to Comet Ping Pong.

Despite the excitement surrounding Ital in 2012, the Comet show flopped, by Knibb’s account. He says attendance was low, and they didn’t make enough money to meet the tour manager’s guarantee. But the curation set the tone for the other shows Select DC would later book: independent, dark, and vaguely punk synthesized music, usually performed in noncommercial venues and people’s houses.

It’s not a money-maker, but that’s not the point.

“Josh and I are mainly interested in creating opportunities for marginalized performers whose work generally resemble noise, techno, house, minimal synth, American primitive, industrial, avant-garde electronic, or some mutant hybridization of styles,” writes Knibb, who has his own musical project, Rosemary Arp. (Levi plays solo as Radiator Greys.) “I say ‘marginalized’ because they don’t represent a typical band/DJ dynamic or their sound doesn’t fit within the current interests of other venues or promoters. I wanted to create an ‘Other’ outlet for the people who didn’t fit in with an established D.C. scene.”

The pair has booked about 20 events so far, their most recent one a noise night at Ghion restaurant near U Street NW. April 12 at Union Arts DC, they embark on their biggest gig yet: a nightlong production called the Vanguard Festival.

“Vanguard Festival came together by chance when a number of artists contacted us about shows on the same date. It gave us an opportunity to put together a huge bill of acts we wanted to see, and whom we want to expose to the greater DMV area,” Levi writes. So far, the lineup includes a mix of noisemakers like Los Angeles’ John Wiese and Philadelphia’s Embarker alongside dance-friendlier artists like Claire and—again—Ital. Numerous acts on the bill, from DJs to live performers, are local.

Of course, noise isn’t underrepresented in D.C., not by a long shot. Just look at the annual Sonic Circuits Festival and the related shows it helps put on throughout the year. The broadest definition of electronic music has a home here, too, though dance clubs like U Street Music Hall and Flash tend to focus on more accessible house and techno—the kind of thing more likely to pack floors and sell liquor. (Though Select DC has worked with Flash before.)

Select DC exists mainly to plug the holes unfilled by commercial venues and larger promoters. “Many of my friends who have hit me up for shows in the D.C. area have either had a rough D.C. show five-plus years ago, or have never played the District before,” Levi writes.

With its DIY ethos, Select DC clearly sprouts from punk-rock soils, but not just when it comes to eschewing commercialism: Knibb and Levi also try to support women musicians working in an otherwise very male genre. Levi points to a December show the pair booked for Providence’s Unicorn Hard-On (Valerie Martino). “Having her play to an audience mostly comprised of women” was critical, he says. “We are huge proponents of promoting female musicians in such a male-dominated arena.”

While Select DC remains a strictly underground operation, Knibb says their small community of followers probably know what to expect from him and Levi at this point. “I think we’ve gotten a reputation for being the weird, noisy dance people in the city.”

A sampling of some of the artists Select DC has brought or will bring to D.C.:

Select DC is on Facebook, Twitter, and Tumblr.