How Are Today’s Indie Bands Straddling The Line Between DIY And ‘Professional’?
The second in an essay series by The Max Levine Ensemble’s David “Spoonboy” Combs. Read Part 1, “These Are The…
The second in an essay series by The Max Levine Ensemble’s David “Spoonboy” Combs. Read Part 1, “These Are The…
As the longtime host of a nationally syndicated talk show heard by more than 2 million people each week, WAMU’s…
The first in an essay series by The Max Levine Ensemble’s David “Spoonboy” Combs. Ask any DIY musician why they…
At the end of 2014, Bandwidth published its inaugural Best D.C. Music of the Year list. With only 25 spots,…
D.C. punk documentary Punk the Capital hasn’t come out of the oven just yet, but tonight, it offers a little…
As the sun dipped behind the Fort Reno towers on a July evening, John Scharbach pounced around the grass, jumping…
Two weeks ago, the catalyst behind one of D.C.’s most arresting new hardcore bands boarded a plane and flew 4,739…
Controversy over stage diving may quiet down one day. But stage diving will probably have to die out first. The…
For a couple of years in the late ’80s, Soulside (or Soul Side) was as prominent and as influential as…
Robert Draper’s story on the cover of this Sunday’s New York Times Magazine tackles libertarians—that spunky band of scalawags presently at risk…
From Thursday to Sunday night, more than a dozen venues hosted pieces of D.C.’s inaugural DIY festival In It Together…
Michael Andrade is so dedicated to documenting D.C.’s hardcore scene, he gave himself nerve damage doing it. “When I first…
One of the newest documentaries to capture a chapter in D.C. punk history is actually quite old: Punk the Capital has…
It’s a Saturday afternoon, midway through an eight-hour-day of punk bands taking their turns on the stage at St. Stephen…