Prince Rama:

Dan Deacon Ensemble:

Abdu Ali with the Dan Deacon Ensemble:

FlucT:

Future Islands:

Lexie Mountain Boys:

People of the festival:

Member of the festival security team:

Pool party:

Sun Ra Arkestra:

STROMA – Not My Chair
Future Islands – In the Fall (Undressed)
The Jazz Infuzion – Latina
Skyline Hotel – A Love I Won’t Mind
Brittany Jean and Will Copps – Neighborhoods
Dupont Brass – Killin’ Me Softly
Frank Solivan & Dirty Kitchen – Gone
Domingues & Kane – The Hunted Hare, Pt. 1
John W. Warren – Saudade
Little Hunts – Koe
the Sobel 4Tet – East Wing
Tigers Are Bad For Horses – Overflown
Ben Kingsland – The King Beneath the Mountains
TRU Band – It’s My Night
Body Thief – The Wishing Tree
igloo two – stuck in transit
Aaron Abernathy – Forecast
Diggs Duke – Chalumeau
Black Masala – Bhangra V
Dave Imhels – Rubber Mask

Stewart Mostofsky saw the same post, and had the same general idea. For about a week, Schmidt and Mostofsky planned their respective events separately, but a mutual friend put them in touch, and they joined forces.

The first Fields, in 2014, was a kind of haven for local weird-cool music kids — the lineup at the Susquehanna State Park event included Baltimore stalwarts like Dan Deacon and Lexie Mountain Boys. It was such a hit — and such a draining experience for its organizers — that there was no festival in 2015.

But this year, it’s back, Friday through Sunday at the same site, which is off Interstate 95 near Darlington, Maryland. If the 2014 gathering was somewhat of a haven, the 2016 version is a full-on sanctuary, with more than 70 musical acts (including Deacon again, along with Future Islands, Juliana Huxtable and many more) performing.

“We’re dreamers and we’re doers and we just can’t do it any other way.”

This isn’t just a music and camping festival, the founders are quick to point out. For Schmidt, bringing in other artistic elements was of the utmost importance. This means visual and sound installations, theater, film, poetry, performance art and dance. And both Schmidt and Mostofsky like to tout the event’s “wellness” activities — including yoga, herb massage, tarot and Reiki-attuned candles.

“The multi-sensory, immersive, integrative aspect of kind of wandering around and there’s just arts everywhere” is the dream, Schmidt says. “Like you’re camping out there and you’re suddenly a part of this new world and it’s just all around you, that was really an inspiration for me and that’s something I really wanted to bring to the table.”

The two founders had somewhat overlapping reasons for wanting to plan a festival. For Schmidt, it was attending similar events and not loving the tunes, but loving the camping and overall atmosphere.

“I remember thinking ‘OMG it’s so amazing, camping out in nature,’” Schmidt says. “It’s like a vacation with a ton of other people with shared interests and you’re all kind of making this new home for yourself for the weekend and I think there’s something really beautiful about the communal aspect of it.”

Mostofsky grew up going to sleepaway camps and credits his astrological sign — Sagittarius — for his love of all things nature. (Schmidt says there’s a lot of Sagittarius in her, too.)

“The sense of community that would form in those situations was very powerful and definitely left a strong impression on me,” Mostofsky says.

Both Schmidt and Mostofsky were deeply entrenched in the Baltimore music and art scenes before planning their first Fields Fest. Schmidt, who works by day as a freelance writer of educational content, co-founded DIY space The Soft House. Mostofsky, a neurologist by trade, has run Ehse Records for over a decade.

When asked if it was hard managing all the aspects a multi-sensory festival, the pair laughs out loud before the question is finished.

“Sorry to laugh out loud — it’s so hard to juggle this,” Schmidt says. “Yeah, it’s crazy.”

No other way

Schmidt and Mostofsky say it helps that they’re totally in sync in one important area.

“We’re dreamers and we’re doers and we just can’t do it any other way, and yes that means sometimes taking on too much and sacrificing in certain ways,” Mostofsky says.

Now that they’re into their third year of running the event, they know exactly what kind of tone they want to set.

“The vibe is one [that is] both celebratory as well as thoughtful, sort of at the same time,” Mostofsky says. All the artists are at the top of their game, he says — it’s basically high art.

Schmidt is a little hesitant to use that phrase, but she basically agrees.

“I think there’s something more humble and gentle and loving,” says Schmidt. “But at the same time very inspiring and transformative.”

The Fields Festival runs Aug. 19-21 at Ramblewood Campgrounds, located in Susquehanna State Park in Darlington, Maryland. Tickets are still available on the event’s website.

So Spirited – Fevers
The Red Fetish – As Green As Grows the Pasture
Dove Lady – The Implication
Seba Yuri – Ethereality
maxine – another plane
Ben Williams – Things Don’t Exist
Caz and the Day Laborers – I Give Dub
Wicked Olde – Jenny Picking Cockles
Wildhoney – FSA II
Borracho – King’s Disease
Little Hunts – Nocturne (Part 2)
Dupont Brass – The Way
The Sea Life – Pray For Snow
Diggs Duke – The Pinnacle Of Class & Taste
Damu the Fudgemunk & Raw Poetic – Hole Up (Instrumental)
Kokayi – The MFN Yay
Will Copps – Rush
Future Islands – Long Flight
Buildings – Upward Through Ever-Expanding Light
Thievery Corporation – Transcendence

Iritis – Monster
Justin Jones – You Saved Me
Protect-U – Down the Tubes
Fugazi – Recap Modotti
Mark Meadows – Once Upon a Purple Night
The Greatest Hoax – Opus no. 13
Mimi Loco and the Drama Queens – Let It Die – 2015 Remix – Take 2
Ricky Eat Acid – Driving Alone Past Roadwork At Night
Troy and Paula Haag – 27
John Hogge – Shanai
Beach House – Myth
Jonathan Parker – King of the Hill
The Funk Ark – Mind Meld
Future Islands – Tin Man
AXB – Quantum Chill
The Mean Season – Kurtz
Matt Chaconas – Spear
Domingues & Kane – Wko 205
PLOY – Beyond the Plain
Noah Berman + Louis Weeks – radius i

Now they’re touring the world with massive crowds hearing these heartfelt tunes and trying to stay true to their humble selves. This short film, Road Dawgs, directed by Jay Buim, who also did the “Seasons (Waiting On You)” video, is a glimpse at a band who now knows things have changed but is trying to keep it real.

You can watch Future Islands’ 2011 Tiny Desk Concert here.

Copyright 2014 NPR. To see more, visit http://www.npr.org/.

All day, Union Market’s Dock 5 abounded with regional beers and attendees who fit squarely within a 20-something demographic. Musical highlights included Swedish performer Tove Lo, who enchanted with her soothing, flirtatious melodies, and in between sets, The Knocks’ B-Roc kept fans dancing with seamless deep-house mixes. After coming on late, Baltimore synthpop stars Future Islands captured eyeballs—particularly when frontman Samuel Herring launched into his signature moves. Here’s what Bandwidth witnessed:

B-Roc of The Knocks:

Tove Lo:

Haerts:

Future Islands: