“Freedom Sounds: A Community Celebration” is a free, three-day concert taking place on the grounds of the Washington Monument from Friday, Sept. 23 to Sunday, Sept. 25. Co-produced by the Smithsonian Folklife Festival, the event ushers in the opening of the Smithsonian’s newest museum Sept. 24.

President Obama is expected to preside over the opening ceremony on the 24th, cutting the ribbon for a museum that was established as an Act of Congress in 2003.

Other performers on the bill include Stax Music Academy, Preservation Hall Jazz Band, 9th Wonder, Sweet Honey in the Rock, Josh White Jr., Dom Flemons, the McIntosh County Shouters and Jean Carne. D.C.-area dance groups the National Hand Dance Association and Urban Artistry also appear on the bill.

“The themes of the festival highlight the social power of African American music as a communicator of cultural values, challenges, aspirations and creative expression,” concert co-curator Mark Puryear says in a press release.

“Freedom Sounds” will run Friday, Sept. 23 from noon to 5 p.m. and the following Saturday and Sunday from noon to 5 p.m. and 6 to 9 p.m. Complete lineup and schedule information can be found on the museum’s website.

More on the National Museum of African American History and Culture:

• WAMU’s interview with Founding Director Lonnie Bunch
• Lonnie Bunch on the Kojo Nnamdi Show
• How The Smithsonian Is Building Its New, Sweeping Collection Of Black American Music
• Death Has Been Called the First Punk Band. Now They’re in the Smithsonian
• Smithsonian Acquires Collection of Classic Hip-Hop Photos
• J Dilla’s Gear Is Headed to the Smithsonian
• Inside the Creation of the Smithsonian’s African American Museum

Megafaun and Grandma Sparrow
Thursday, May 1 at DC9, $14

Before Justin Vernon recorded as Bon Iver, he was in a Wisconsin indie-rock band called DeYarmond Edison. Vernon’s three former DeYarmond Edison bandmates, now based in Durham, North Carolina, are the psychedelic rock band Megafaun. Merging vocals reminiscent of Fleet Foxes with off-kilter instrumentation and a lo-fi aesthetic, the trio might not be quite as famous as their former bandmate, but Megafaun’s folk/post-rock style is well worth hearing. Opening the show is the psychedelic Grandma Sparrow.

Nakatani Gong Orchestra
Friday, May 2 at tBack Alley Theater, $12

Friday, acoustic sound artist Tatsuya Nakatani leads a group of 11 local musicians in a large gong ensemble. These instruments, both bowed and struck with mallets, produce a sound both melodic and percussive; Nakatani’s last visit to D.C. saw him performing at the Kennedy Center, so the DIY feel of the Back Alley Theater will give this ensemble quite a different feel. Preceding the ensemble performance, Nakatani will perform a solo percussion set.

The Whigs and Nikki Lane
Friday, May 2 at Rock & Roll Hotel, $15

Athens-based garage rock band The Whigs blend their noisy riffs with some serious pop-influenced hooks—not surprising influences for a band that’s toured with acts ranging from Kings of Leon to Band of Skulls. The fuzz and distortion that permeates their music is perfect for a sweaty Friday night. Opener Nikki Lane has a distinct country point of view; her sassy twang is reminiscent of early Neko Case.

The Funk Parade
Saturday, May 3 on U Street NW; free

Coordinated by the folks behind Listen Local First, the inaugural Funk Parade is an all-day street festival with a participatory parade (from their web site: “Get up, get into it, get involved!”), dance performances and workshops. At night, the funk moves into many of U Street’s top music venues—DC9, Tropicalia,  U Street Music Hall, Patty Boom Boom, and Twins Jazz, among others—with free-admission performances by performers including Cheick Hamala Diabate, Elikeh, and Sugar Bear and EU.

Kohoutek, Taiwan Housing Project, Tulsa
Sunday, May 4 at Velvet Lounge, $8

Kohoutek used to be a D.C.-based band, and the group’s drummer, Scott Verrastro, regularly put on DIY shows at his home on Florida Avenue NW. Those days have passed now that Verrastro has moved to Philadelphia, so Kohoutek’s improvised psych-noise shows in the District are a much rarer occurrence than they used to be. Verrastro still knows how to put together a killer lineup, though: joining Kohoutek are Taiwan Housing Project (a collaboration between Kilynn Lunsford of Little Claw and Mark Feehan of Harry Pussy) and Tulsa, a band featuring members of the psych-shoegaze band Dark Sea Dream.

Jessy Lanza, Ricky Eat Acid
Monday, May 5 at Black Cat Backstage, $12

This week Stereogum declared that R&B-tinged electronic music—inescapable for the last three years—had reached its saturation point. I can’t disagree, but I’m not quite ready to take Jessy Lanza’s electronic-meets-R&B album “Pull My Hair Back” out of my headphones. The whispery Canadian vocalist and producer is too good at earworms. A live video she recently recorded for KCRW is entrancing, particularly her deft performance of “Keep Moving,” a highlight from “Pull My Hair Back” (and my running playlist). Monday night, she’s supported by College Park, Maryland’s own Ricky Eat Acid. (Ally Schweitzer)

Also recommended this week:
Heavy Metal Night at Port City Brewing and Foul Swoops, Flesh Panthers, and Neonates at The Dougout (tonight); Typefighter, Shark Week, Sunset Guns, and Teen Mom at Rock & Roll Hotel (Saturday); A Minor Forest and Two Inch Astronaut at DC9 (Sunday); The Dead Women and Nice Breeze at Galaxy Hut (Monday).

These and other show listings can be found on ShowListDC.