Bob Mould – Bandwidth http://bandwidth.wamu.org WAMU 88.5's New Music Site Tue, 02 Oct 2018 15:23:36 +0000 en-US hourly 1 https://wordpress.org/?v=4.5.2 Bob Mould: Tiny Desk Concert http://bandwidth.wamu.org/bob-mould-tiny-desk-concert/ http://bandwidth.wamu.org/bob-mould-tiny-desk-concert/#respond Mon, 11 Aug 2014 14:27:00 +0000 http://bandwidth.wamu.org/?p=37643 Beauty and Ruin) and one from the band that launched his career.]]> Bob Mould came alone, except for his 1987 Lake Placid Blue Fender Stratocaster. We provided the Epiphone Blues Custom 30 amp, which he promptly cranked. Needless to say, he announced his own Tiny Desk Concert without using the paging system.

Mould isn’t a shy man — his power chords will tell you that — but he’s humble and gentle. Many know Mould from his days with Hüsker Dü, an awesome punkish band from Minnesota that laid the groundwork for the Pixies and more. His subsequent work with Sugar managed to do something none of his other records did so well: Copper Blue sold hundreds of thousands of copies.

Beauty and Ruin is solo album No. 11 for Mould, and as you can hear from these songs, he’s all amped up and ready to go. Sweaty and happy, he makes “Makes No Sense At All” his final calling card — classic Hüsker Dü.

Set List

  • “The War”
  • “I Don’t Know You Anymore”
  • “Hey Mr. Grey”
  • “Makes No Sense At All”

Credits

Producers: Bob Boilen, Denise DeBelius; Audio Engineer: Kevin Wait; Videographers: Denise DeBelius, Colin Marshall; Production Assistant: Sarah Tilotta; photo by Sarah Tilotta/NPR

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Bob Mould On World Cafe http://bandwidth.wamu.org/bob-mould-on-world-cafe/ http://bandwidth.wamu.org/bob-mould-on-world-cafe/#respond Wed, 23 Jul 2014 10:53:00 +0000 http://bandwidth.wamu.org/?p=36364 Beauty and Ruin.]]> Bob Mould, one of the most influential artists from ’80s punk with Hüsker Dü, has a new solo album, Beauty and Ruin. It builds on his last two albums, Life and Times (2009) and 2012’s Silver Age (2012), using the same rhythm section of Jason Narducy on bass and Jon Wurster of Superchunk on drums. Since making an excursion into club music with Modulate in 2002, Mould has gotten back into the three-piece guitar driven format that is his forte. It’s the sound he also used in the ’90s with Sugar. Mould may have said much in his 2011 autobiography, See a Little Light: The Trail of Rage and Melody, but he’s saved a lot for us today.
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