“When [President Ronald] Reagan entered office,” says punk elder statesman Mark Andersen, “it provided a focal point, like a physical embodiment of the things that we opposed.”

Andersen makes that observation to WAMU reporter Patrick Madden in a story that aired Tuesday. The co-founder of D.C. activist group Positive Force says that in some ways, the Reagan era energized punk in D.C. And some say the same could happen under President Trump.

Visit the WAMU homepage to hear Madden’s story, “Could D.C. Punk Thrive Under President Trump?” The sound-rich feature includes interviews with Andersen, Ian MacKaye of Fugazi and Minor Threat, filmmaker Robin Bell and Jason Mogavero of rabble-rousing D.C. band Jack On Fire.

FAR EXP – Get On Your Grind [Ardamus, RNL, Fleetwood – prod. by Decompoze]
The Stick Mob – Sugarcane Road
Wild Flag – Racehorse
Iritis – Monster
We Were Pirates – Into Thin Air
Hailu Mergia – Ambasel
Be Still, Cody – Wrong Right
Philip Lassiter – Set You Free
Dirdy Redzz – Beat ya Feet
K-Murdock – Heartache
Sun Machines – Doom Street
Moss Of Aura – Wheels
Xamin – Humidity ft. Alex Leipold, Rebecca Schrader
AndrewN – Night Falls
Dark Narrows – This Altar
Wytold – Do You Know?
Wes Swing – Blood Branches
Broto Roy – Never Enough Cake
Lo-Fang – Silver
Dan Deacon – Wham City

Nick Garcia – Sun Jam
Master David – Today And Tomorrow
Kevin Yost – Overture 1
The_Acorns – Comcast with Prego 35
Shortstack – G.B.D.
Imad Royal – Devil Pt. II
Fugazi – Cashout
KTW – By Any Right
Synthador – Some Nights Away 20150412
The Grit Pushers – Song 5
Calm The Waters – Peace On Earth
The Harry Bells – Matilda
Judah – Lesser of 2 Evils Prod by. Judah
Thievery Corporation – Transcendence
Michael Preston – Arcanum
NUNS – Blood Red Snow
Young Master Sunshine Photogenic 1982 – West Georgia
Memphis Gold – Back Po’che, Tennessee
Matt Chaconas – Mech FM
Andrew Grossman – Awakening to the Warm Glow of a Computer Screen

Disc Image – Icheb
Wes Swing – In a Station of the Metro
Soccer Team – Mental Anguish Is Your Friend
Fat Kneel – Hoarse Siren
Tony Kill – Being Considered [EP]
brushes – Mary
Tone – Bright Angel Falls
Rex Riot – Birds and Bees Feat. Misun
Melanie’s Magic Mellotron – Parasite
Wytold – Summersaults
Jail Solidarity – Lights Out
Joshua Rich – Rain
airøspace – Ikigami, the Ultimate Limit (prod. Budamonk)
Stephen Allen Kochersperger – The Quest
ᴇʟᴅʀ. – Glitter Gloo
Pax Musicana – Sixteen Nights
Fort Knox Five – Swinging On a Rhyme (Instrumental)
Smoke n’ Mangos – Birds
STROMA – Not My Chair
Tomás Pagán Motta – Love In Her Lies

Dr. Nittler’s Elastic Soultastic Planet – Faux Patina
Outputmessage – Try Again
DC Improvisers Collective – Unified Conspiracy Theory
Mbandi – Fairy Tale
The Grit Pushers – Song 5
True Womanhood – The Monk
David Marc Alterman (performed by Astrid Walschott Stapp) – Octagon
Luke Denton – Montana Sky
Nancy Joie Wilkie – Which Way To Go
Judah – Drums Don’t Lie
Brian Wilbur Grundstrom – For Whom the Bell Tolls Opera – Act 1 Scene 3
Strange Times People Band – Aye Tu
Urban Verbs – Subways
WonderChurch – A Head In a Lion’s Mouth
Western Affairs – Iowa
Gordon Withers – 2.9
Tomás Pagán Motta – I Need a Woman
Blacksage – Make Out Interlude
Sansyou – Let It Expand
Miyazaki – Apparition

Hurlebaus – Capital Crescent Town
Lilac Daze – Frederick Rock City
Aaron Leitko – Downtown Protoculture / Extended Family (Edit)
Ronny Smith – Lift Off
The Rail Runners – One Note Brown
#KNO-1 – If Only 4 1 Night
Bliss – Still
Scenic Mental Detours – Dots on the Ocean
Soleaux – Cyanide
The Red Lines – There There
PHZ-Sicks – Black Women
Nitemoves – Rosencroix
Yoko K. – huggy robot
Luke Brindley – Threshold
Kindlewood – Desiderium
DJ Winterman – Di Gully
Jordan Clawson – The Play
Once Okay Twice – The Lonely
Daniel Bachman – Song For The Setting Sun I
Brian Forehand – Moonroof

About 12:30 a.m., we visited this place and found approximately 5,000 people, colored and white, men attired in women’s clothes, and vice versa. The affair, we were informed, was a “fag/masquerade ball.” This is an annual affair where the white and colored fairies assemble together with their friends, this being attended also by a certain respectable element who go here to see the sights.

This is an excerpt from a 1928 report filed by investigators with the Committee of Fourteen, a citizens group that fought to crack down on illegal alcohol sales inside New York City hotels. The investigators had stopped by a club in Harlem one night in February, unwittingly dropping in on a gender-bending bacchanal: the Hamilton Lodge drag ball.

Affairs like the Hamilton Lodge ball were a precursor to the modern ballroom scene, a performative, queer and largely African-American counterculture that still thrives in many U.S. cities, including Baltimore. The documentary Paris Is Burning captured the scene at its height in 1980s New York City, and Madonna — riding a wave of house music that soundtracked ballroom performances — got everybody voguing like a ballroom star with her 1990 hit “Vogue.”

Oct. 15, the Smithsonian’s National Museum of African Art celebrates ballroom culture with a half-day event dedicated exclusively to the art form. The featured guest is Keith “Ebony” Holt, a veteran ballroom performer who’s also a youth outreach coordinator for Baltimore’s health department. He represents the Baltimore chapter of the House of Ebony — essentially a clique, or a family, of gay black men who perform in ballroom competitions.

Bandwidth spoke to Holt and the Smithsonian’s Nicole Shivers in advance of Saturday’s soirée. The event promises to borrow a grandiose aesthetic from Nigerian-British artist Yinka Shonibare’s short film, Un Ballo in Maschera, on view now at the museum.

This interview has been edited for clarity and brevity.

Bandwidth: Keith, can you talk about what ballroom means to young, gay black men? 

Keith “Ebony” Holt: Ballroom, basically, was created for [them]. It was a place that we could call our own [where] we felt safe. [In ballroom,] you could be whatever it is that you wanna be. As we all know, when a lot of young, black gay males or transgenders come out to their families, sometimes their families are not with it. They may out them or they may be like, “We no longer want to communicate with [you].” And for a person that may be 15, 16 years old — or basically whatever age you are — that really hits you hard. So the ballroom scene … gave you another family outside of your biological family.

“With this event, we’re in one of the biggest museums in the world. Now our form of underground art is being welcomed into the mainstream.” —Keith “Ebony” Holt

OK, so the film Paris Is Burning documented the ’80s ballroom scene in New York. When we talk about ballroom now, what are we referring to?

Holt: We’re talking about the whole entire scene. Voguing, of course, gets the most attention because it’s fun to watch and you have people like Madonna that came out with it, or you have Vogue Evolution on America’s Best Dance Crew. However, it’s so many other categories — such as runway, or realness, which is basically how well a transgender person may be able to blend into society. Paris Is Burning … is kinda outdated. The younger generations definitely took it and made it their own. So it has completely, completely changed. It’s not the same underground scene that it once was in Paris Is Burning.

Do you still do a lot of performing?

Holt: I do perform. I still walk. Voguing really isn’t my category. My main category is actually runway. You can kinda look at it like Project Runway mixed with America’s Next Top Model. Runway at the Smithsonian [requires you to take] a piece of African art. It can either be a painting or a sculpture, and you have to make your outfit basically represent whatever art that you chose to create. It really takes a lot of time and it takes a lot of brain energy for you to really sit and really create something such as that. Then… you actually have to walk like a model would.

Nicole, why did the Smithsonian want to do a ballroom event?

Nicole Shivers, National Museum of African Art: As the curator for performing arts, I’m always looking for something new, innovative and engaging to dispel the myths, the clichés of Africa. Being a big fan of Yinka Shonibare and especially this video piece, Un Ballo in Maschera, which looks at the grandness of things, what better fit than to look at the ballroom scene, where they can show off and show out?

Can you talk about the African influence within ballroom?

Shivers: The traditional masquerade, or the traditional theater-in-the-round [are African influences]. Also, it’s a way of conveying a message [and] honoring someone, so I think those are the two main similarities.

Holt: And I think that with just the LGBT community, we wear so many masks on a daily basis, especially when we go out. So many people look down on the LGBT community for various reasons, so we have to put different masks on when we just walk outside our house. With this event, we’re in one of the biggest museums in the world. Now we can finally take our masks off and say that we are finally being accepted. Now our form of underground art is being welcomed into the mainstream. Even if it’s just for one night, it’s still the beginning.

The Voguing Masquerade Ball begins with a panel discussion at 4:30 p.m. at the Smithsonian’s National Museum of African Art. The ball starts at 7:30 p.m. Free and open to the public.

Shown at top: A still from Voguing For a Cause, produced by Great Big Story

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Capital Soundtrack will be back in full force Monday, Oct. 24 Saturday, Oct. 22. Update: We’re back early! 

DJ Winterman – Finale
The Iris Bell – Globe
Reginald Cyntje – Wind
Nitemoves – Harbinger Group
Black Masala – Cool Breeze
Once Okay Twice – Indie Soul
Scenic MentaL Detours – Skip the Day
Elijah Cole – Stardust
Restoring Poetry in Music – Short Bus
Constant Alarm – Cairo
Adam Stamper – Movements of the Anansi
Luke Brindley – Time’s Arrow
Title Tracks – Piles of Paper
Spirit Plots – Pssst
Detox Retox – The Cult of Reason
Nerftoss – Virtue Walk
Bardoe – Flip it
Soleaux – Graffiti
East Ghost – Jericho
Clif Hardin – Gigue from Suite for Piano

Fidelity Jones – Destructor
Ben Dransfield – Here Now
Teen Idles – Adventure
Brian Settles & Central Union – Bison
Rod Hamilton – Aqua 1
SIR E.U – WMATA (t3nnisball)
Trifilio Tango Trio – La Sabionda
Abu Jibran – Bowtie
Dupont Brass – The Way
Outputmessage – Lungs
Gordon Withers – Hurry Up And Wait
BOOMscat – RUNNINGONE
Constant Alarm – Iowa
Low End String Quartet – Grinder
Denis Malloy & Stanley “Z” Ng – Surprise Five
Beauty Pill – Idiot Heart
J. Reid – Smoking a j at the end of the Anthropocene
Mission South – Peaches
Joy Buttons – Other
Kokayi – The MFN Yay